Category Archives: Online Projects

Exhibitions or artists with an online catalogue or exhibit on an external website.

unlimited edition

poster final with canada logoJuly 4 – September 26, 2015

Legacy Art Gallery Downtown 630 Yates Street

unlimited edition is organized by the Kamloops Art Gallery.

Curated by Tania Willard (Secwepemc), Aboriginal Curator in Residence, Kamloops Art Gallery

To view the exhibition catalogue, click here.

Kenojuak Ashevak, Inuit | Carl Beam, Ojibwe | Robert Davidson, Haida | Charles Greul | Chuuchkamalathnii, Nuu-chah-nulth | Mark Henderson, Kwakwaka’wakw | Richard Hunt, Kwakwaka’wakw | Ellen Neel, Kwakwaka’wakw | Pudlo Pudlat, Inuit | Daphne Odjig, Odawa-Potawatomi | Walter J Phillips | Bill Reid, Haida | Chief Henry Speck, Kwakwaka’wakw | Art Thompson, Nuu-chah-nulth | Art Wilson, Gitsxan
With artists from the University of Victoria Art Collection: Doug Cranmer, Kwakwaka’wakw | Joe David, Nuu-chah-nulth | Stan Greene, Coast Salish | Roy Henry Vickers, Tsimshian Haida heilstuk | Susan Point, Coast Salish
unlimited edition attempts to construct an art historical framework that looks at how prints by Aboriginal and Inuit artists represented in the Kamloops Art Gallery’s permanent collection, supplemented by works on loan from the Carleton University Art Gallery and Legacy Art Galleries, represent a drive to preserve, portray and popularize oral histories and address social inequities in the medium of printmaking. Featuring prints from Northwest Coast, Woodlands and Inuit artists with a focus on an early period of printmaking in the 50s through to the 70s, unlimited edition showcases prints that relate to ideas of cultural story, politics of land, and the beauty of Indigenous aesthetics.

Image Spirit Owl, Kenojuak Ashevak (Inuit), from Kenojuak Lithography series, 1979

CURATOR’S TALK /// Saturday, September 26, 2pm | Legacy Art Gallery Downtown 630 Yates Street /// Free & open to the public

This project is funded in part by the Government of Canada.

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Karl Spreitz: Self-Propelled

Exhibition PosterMarch 7 – July 26, 2015

Extented to August 16, 2015

Legacy Maltwood (at the Mearns Centre – McPherson Library) 

Click here for online exhibition

Curated by Naomi Shields and Emerald Johnstone-Bedell

Self-Propelled showcases Spreitz’s wide-reaching range of photography, films, and book and magazine publications, as well as his friendships and connections to other Victoria artists.

Spreitz uses whimsy and paradoxical imagery to challenge the conventions of mundane life. This self-driven, multi-talented connoisseur developed an authentic artistic style that echoes his character and life experiences. Anti-authority satire, human mechanization, and formal compositions derive from his Austrian upbringing, athletic training, and film and photography career. This selective retrospect presents various artwork, film, photographs and ephemera documenting Spreitz’s life and cultural contributions.

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Making A Scene! Victoria’s Artists in the 1960s

Gods of the Sun Dogs, Margaret Ellen, c. 1960

Gods of the Sun Dogs, Margaret Ellen, c. 1960

April 2 – June 27, 2015

Legacy Art Gallery Downtown

Curated by Emerald Johnstone-Bedell

The 1960s marked the emergence of a vibrant contemporary art scene in Victoria. Events such as the BC centennial celebrations and Expo ’67 foregrounded regional and national artistic production, and the newly formed Canada Council for the Arts around a source of financial support to practicing artists. The politically charged spirit of the time, born out of war experiences and social justice movements, generated a desire for change and experimentation. This included artistic movements towards anti-hierarchial approaches inclusive of applied and non-Western art.

This show brought together ceramics, film, printmaking, painting, and sculpture to give visitors a glimpse of what the art scene of the 1960s would have looked like. Making a Scene! also highlighted the importance of growing institutions and movements of the 60s like the budding University of Victoria Art Collection, the birth of the Limners group, and the establishment of rights for First Nations artists.

View the exhibition website here

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Similar Exhibitions:

IN SESSION – ONE

d. bradley muir, The Supernova Scene

d. bradley muir, The Supernova Scene

Megan Dickie | Laura Dutton                       d. bradley muir | Tara Nicholson

January 17 – March 28, 2015

Legacy Art Gallery

Curated by Mary Jo Hughes

View the exhibition catalogue here

This is the first part of an on-going series of exhibitions over the next few years featuring the artists who work as Sessional Instructors in the UVic Visual Arts department. This exhibition looks at the recent practice of four artists who work with photography, video, and digital media arts. In Session – One celebrates the significance and power of photo-based art in an age where social media and advertising threaten to inundate and numb us with visual overload. These artists also investigate themes including the relationship between the photographic image and its physicality as an object, light as a material presence, and the time/space/memory relationship of digital media arts.

Megan Dickie, Laura Dutton, d. bradley muir, and Tara Nicholson are four excellent artists who also happen to be excellent teachers; this combination of talents is rare, and as such they represent true assets to the Department of Visual Arts at the University of Victoria. We are very fortunate to be able to hire professional artists from within the community to teach on a part-time basis. Sessional instructors enliven art departments across the country with their professional experience. They enable us to expose our students to a much wider array of professional practitioners that would be possible if teaching duties were left to full time faculty alone. Often students do not realize that many of their favourite instructors are in fact successful professional artists who leave their busy studios to come and teach a few times a week. As teachers, these artists are instrumental in shaping and preparing the next generation of artists. Their contribution in this role cannot be overstated.

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The Arts of World War I

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Dr. Marcus Milwright (Department of Art History and Visual Studies)

View the exhibition catalogue here

This exhibition marks the centenary of the start of of the “Great War” with a cross cultural focus on the visual and material culture of World War I. The exhibition includes books, prints, and personal objects drawn from the Legacy Art Galleries, the UVic Libraries (Special Collections and Archives), and private collections in Victoria. These objects present visual manifestations of the war in the theatres of conflict in Europe and the Middle East as well as the production and consumption of art and literature in Canada between 1914 and 1918. Visitors will also see unique examples of European and Middle Eastern “trench art”, a term which refers to objects made by soldiers in times of conflict as well as those made of spent artillery shells and other military equipment by civilian artisans after the cessation of hostilities. Another central part of the exhibit is the so-called “J.M. Diary.” The curator is inviting the public to solve the mystery of who illustrated this fascinating first-hand visual account.

Help solve the History Mystery!

History mystery of Great War diary. View the diary here

A two-volume leather diary of the First World War is missing the name of its soldier diarist and the University of Victoria is hoping history buffs or family members will help solve the mystery.
J.M.’s World War I sketchbooks, signed simply “J.M.” and housed within UVic Special Collections and University Archives for more than three decades, contain approximately 130 sketches and drawings ranging from caricatures to sombre images of trench art, by a British soldier based in France and Belgium in 1917 and 1918.

“It’s a history mystery worthy of its own exhibition,” says Dr. Marcus Milwright of UVic’s Department of Art History & Visual Studies. He is the curator of the Arts of World War I exhibit which opened Nov. 7 at UVic and says he knew right away there was one item in the collections he “just had to use. But there’s only one problem: I have no idea who it actually belonged to.”

UVic has no record of where the diary came from, only that it was purchased from a private seller. UVic Libraries has been trying for some time to solve this mystery as well and is hoping the war’s centennial will spark new leads. Milwright’s theory is it was sold by a family member, possibly through an estate sale following the death of J.M.’s daughter.

“The dedication says, ‘To my daughter, Adele’,” adds Milwright. The images “look to me like book illustrations, so it’s probable J.M. was a trained painter or illustrator.”

If anyone knows anything about J.M., Adele M. or the diary, please contact Milwright at mmilwrig@uvic.ca.

 

Perpetual Salish: Contemporary Coast Salish Art from the Salish Weave Collection

 

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August 15, 2014 – January 10, 2015

Legacy Art Gallery Downtown

Curated by lessLIE

View the online catalogue:

Perpetual Salish – Catalogue

In this exhibition the theme of perpetuation unifies the work of five contemporary Coast Salish artists who live and work in this region. The word perpetuation is meant to suggest a continuum of ideas and processes, which come from distinctive traditions that have existed over millennia. Perpetuation also infers some of the challenges that contemporary Coast Salish artists continue to face in the contexts of colonialism and assimilation as well as the dominance of other Indigenous traditions, which were often favoured by the art world, in both commercial and educational contexts. It is only in the last three decades that Coast Salish art has become more readily recognized by a wider audience as distinct from other Northwest Coast traditions.

This exhibition presents a wide range of art forms and ideas, and visitors will gain a better understanding of the cultural and stylistic elements that unify and inspire these contemporary artists in their own artistic practices. Artists featured are Maynard Johnny Jr., lessLIE, John Marston, Susan Point and Dylan Thomas.

Watch the video:

Margaret Peterson: A Search In Rhythm

Portrait of Margaret Peterson by Curtis Lantinga, 1984SMALLApril 11 – August 18, 2014

Legacy Art Gallery Downtown

Discover more about Margaret Peterson by visiting the project website, click here.

Watch a short video about Margaret Peterson featuring Patricia Bovey | Robert Amos | Nick Tuele | Anne Mayhew | by Justine Drummond, click here.

This special curatorial project was developed in partnership with the University of Victoria Legacy Art Galleries and UVic’s Special Collections and University Archives with funding support from the BC Arts Council. The project allowed for a co-op intern to select and develop a project to present new interpretations and scholarship utilizing primary research material and original works of art held at the university. Under the mentorship of the Legacy Art Gallery Director, Curator of Collections, and the University Archivist, the student created an exhibition and public program that highlights a major Canadian artist and furthers an important initiative of the University of Victoria, namely the building of the local artists’ archival holdings. This exhibition is one of the first of a series working with the artists’ archives at the University of Victoria.

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Windows Into Heaven: Religious Icons from the Permanent Collection

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Icon of the Virgin Hodegetria, 18th century, Gift of Dr. Bruce and Mrs. Dorothy Brown

April 23 – July 19, 2014

Legacy Small Gallery

View the online catalogue:

Windows Into Heaven Catalogue

Co-curated by graduate student Regan Shrumm and Dr. Evanthia Baboula, (History in Art)

Featuring Russian icons and crucifixes from the University of Victoria’s permanent collection, this exhibition examines religious, historical, and cultural meanings past and present.

The objects featured in this exhibition originate in pre-revolutionary Russia and include icons of varied forms as well as crosses – important liturgical instruments and quintessential Christian symbols.

Shakespeare’s “Big Books”

Detail of a portrait of William Shakespeare

Detail of a portrait of William Shakespeare

September 21 – October 23, 2013

Legacy Small Gallery

Curated by Dr. Janelle Jensted and Dr. Erin E. Kelly

Click here to read more about the University of Victoria’s celebration of the Bard.

The Shakespeare First Folio (First Collected edition of his plays) is one of the Western world’s best-known and most iconic books. Discover why these folios have held people’s fascination through the centuries and enjoy and opportunity to see all four 17th century folios together for the first time in BC.

This exhibition was part of the Shakespeare Onstage-Offstage community celebration of the Bard. View the Shakespeare Onstage—Offstage brochure here and learn more about the events here.

Core Samples: Visual Arts Faculty 1966-1986

Don Harvey, Black Diamond #3

Don Harvey, Black Diamond #3

June 19 – October 25, 2013

Legacy Art Gallery Downtown

Curated by Caroline Riedel

View the online catalogue:

Core Samples – Catalogue

This exhibition presents an overview of the University of Victoria’s Visual Arts department from its earliest days as a breakaway department from the Faculty of Education to the individually and collectively earned reputations for innovation in painting, printmaking, drawing, photography and sculpture.

Thirteen artists who were also appointed faculty members are included in this exhibition including John Dobereiner, Donald Harvey, Pat Martin Bates, Gwen Curry, Douglas Morton, Roland Brener, Mowry Baden and Fred Douglas. Primarily drawing on work from the university’s permanent collection, this exhibition reflects a range of media and groundbreaking artistic practice.

Similar Exhibitions:

Karl Spreitz

Karl Spreitz scouting locations for the BC FIlm Commission in Stewart, B.C.

Karl Spreitz scouting locations for the BC FIlm Commission in Stewart, B.C.

Online Catalogues

There are two online catalogues of Karl Spreitz’s work. Karl Spreitz and Collaborators Archival Film Collection (2013) features many of his films, essays, transcripts and biographies of Spreitz and his collaborators.  Karl Spreitz Film Collection (2001) has an inventory of his works, a glossary of film terms and information about Spreitz’s work.

More About the Exhibitions

The Karl Spreitz Film Collection at the University of Victoria consists of more than 100 reels of 16mm film in various stages of production. Many of these films were produced by Spreitz in collaboration with other artists and friends such as Colin Browne, Vicky Husband, Anne Mayhew, Michael Morris and Herbert Siebner and are both personal and documentary in nature.

Covering a period of more than three decades, the content of the films describe the working process of local artists, historic events, and political and environmental issues. The collection is of tremendous historic value both in terms of film production in British Columbia, subject matter, and as a partial record of Spreitz’s career.

 

Understanding Place in Culture: Serigraphs and Transmission of Cultural Knowledge

Francis Dick, The Dragon
Francis Dick, The Dragon

October 18, 2012 – January 28, 2013

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Shelby Richardson

The Understanding Place in Culture online catalogue is available here. It features a curatorial essay, numerous works of art and information about the artists.

Museums and other educational institutions are often seen as sites of privileged knowledge production, spaces that have often excluded minority perspectives and realities. This exhibition presents a selection of prints from the George and Christiane Smyth and Vincent Rickard Northwest Coast Print collection that focus on representations of place and Indigenous knowledge production. The perspectives represented by these artists challenge the hegemonic practices of institutions, such as museums, by positioning the artists as the ethnographic authorities on their cultural expressions and knowledge.