Tag Archives: Art

Regarding Wealth

U001.11.562

The Apple Tree Gang, Michael Lewis, 1992, acrylic on canvas

February 24  – June 10, 2010

Legacy Art Gallery Downtown

Curated by Dr. Carolyn Butler-Palmer

This was an exhibition concerning the intersections between art and homelessness. This exhibition was part of an ongoing series of projects and class seminars featuring artwork from the University of Victoria’s Michael Williams Collection led by Dr. Carolyn Butler-Palmer who occupies the Williams Legacy Chair.

Visit the HA 495/595 Regarding Wealth  website

Contributors: Dr. Carolyn Butler-Palmer, Williams Legacy Chair in Modern and Contemporary Arts of the Pacific Northwest

History in Art Students who enriched this project: Eric Anderson, Magdalyn Asimaskis, Julia R.M. Baker Veronica Best, Jennifer Cador, Won Chang, Sara Chekley, Gareth Clayton, Miranda Clement, Jaime Lynn Clifton, Emma Conner, Odessa Corletto, Heather Crowley, Melba Dalsin, Heather Dixon, Kim Drabyk, Susan Hawkins, Laura Hayward, Julia Hulbert, Elaina Keppler, Emma Knight, Stephanie Korn, Toby Lawrence, Sarah Lee, Katie Lemmon, Elyse Longair, Marnie Mandell, Mathew McKay, Kaitlyn Patience, Kathleen Prince, Andrea Porritt, Cassidy Richardson, Jysicca Richardson, Connie Quaedvlieg, Mike Quan, Aleta Salmon, Nancy Schnarr, Katy Scoones, Julia Simpson, Thomas Sluchinski, Leah Taylor, Filiz Tutuncu, Holly Unsworth, Christine Woychesko and India Young.

Research Assistants: Mebla Dalsin, Kaitlyn Patience, and Tusa Shea

Special Thanks to: Sarah J. Blackstone, Dean of Fine Arts, Catherine Harding, Department Chair, History in Art, Kate Hutchins, Legacy Art Gallery & Café, Martin Segger, Maltwood Gallery Director, Caroline Riedel, Maltwood Curator of Collections, Christine Woychesko, Manager, Legacy Gallery & Café, and Caitlin Cuthbert , Jenina Ceglarz, CEO Swans Hotel, Cindy Vance Maltwood Exhibition Team: Emma Conner, Caitlin Cuthbert, Kate Dahlgren, Mark Hovey, Karen Merrifield, Cam Northover, Nick Poppell, Heather Stone, Leah Taylor

British Sporting Art: Works From the S.W. Jackman Collection

The Death, S.W. Forest, c. 1800, tinted engraving

The Death, S.W. Forest, c. 1800, tinted engraving

April 14 – June 6, 2010

Legacy Art Gallery Downtown

Curated by Martin Segger and Karen Merrifield

View the online catalogue:

British Sporting Catalogue

Sporting Art’s development was centred in England and for this reason is accepted as being “British.” The increased popularity of racing, fox hunting and shooting created a new niche for artists to fill. Naturalism is a theme found throughout this exhibition. These paintings are representations of social life, reverence for the landscape and portraiture.

The artists in this collection would have been aware of the great sporting artists of the 17th-19th centuries, and we can see their inspiration and influence from the grand portrayals of the mighty stallion standing proud and strong amidst the luminous landscape to the commotion and excitement of the fox hunt bringing forth to the public the beloved pastimes of 19th century England.

Dr. Sydney W. Jackman has been a History professor since 1964 and received an honorary degree by the University of Victoria in 1991. He has also been a life-long art collector. The University has benefitted from his generous donations, an extensive collection of blue and white Chinese porcelain and a large collection of English 18th and 19th century art. It is from the latter that this exhibition of “British sporting art” has been selected.

Teachers of Teachers: 30th Annual Art Education Faculty Exhibition

Bow Glacier, Bill Zuk

Bow Glacier, Bill Zuk

January 9 – March 17, 2010

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Dr William Zuk and Dr Robert Dalton

For the 30th consecutive year, the Art Education Faculty will display a rich and diverse collection of images at the McPherson Library Gallery at the University of Victoria.

The exhibit, with the largest group of contributors on record, will show the work from 22 studios of art educators who practice what they teach. The work comes from a range of backgrounds, from retired professors to masters students working as teaching assistants. On view will be themes capturing traditional and realistic perspectives to newer media explorations that are ephemeral and mystical.

Cross Connections: Five Decades of Contemporary Art in the Pacific Northwest

James W. Felter, The Russian Panel
James W. Felter, The Russian Panel

January 6 – February 21, 2010

Legacy Art Gallery Downtown

Curated by Cindy Vance and Julia Hulbert

View the online catalogue:

Cross Connections – Catalogue

The University of Victoria’s Legacy Art Gallery and Café presents Cross Connections: Five Decades of Contemporary Art in the Pacific Northwest.

This exhibit features works from UVic’s newly acquired Coast Art Trust Collection. It includes works by the Trust’s founding members, James Felter, Kal Opré and Gregg Simpson, as well as works from each of the five decades represented in the collection.

UVic’s Coast Art Trust Collection comprises more than 100 works by 45 contemporary lower mainland artists. It includes paintings, sculpture, collage, mixed media and photography created in the latter half of the twentieth century. The collection represents a capsule history of Vancouver’s contemporary art scene from the 1960s onwards.

The Coast Art Trust Society recently donated this important historical collection to the University of Victoria’s Maltwood Art Museum and Gallery. The Society was formed as an artist driven enterprise to help preserve BC’s artistic heritage by assembling, maintaining and exhibiting visual art works and archival materials that document artistic activity in the Lower Mainland in the last half of the twentieth century.

Rocks and Shadows: Exploring the works of Judith Foster

Judith Foster
Judith Foster

August 26 – October 25, 2009 | Legacy Art Gallery Downtown

October 16 – November 15, 2009 | Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Julia Hulbert, Caitlin Cuthbert, Sarah Delaney, and Cindy Vance

Engage with the creative processes of renowned printmaker Judith Foster and discover the methods and techniques behind this precise art form. The exhibit showcases a playful sampling from different points in her career, from New York mezzotints to Okanagan woodcuts.

Judith Foster (1930-2000) was an American born printmaker who documented her creative processes through meticulous record keeping. These archives, on display, including process materials, personal notations and progress prints provide a window into the methods and techniques that Foster engaged with to create such powerful works of art.

Please note that the exhibit has be extended and expanded and will briefly show in two locations in mid-October. After October 26, 2009 the entire exhibit will be on display in the McPherson Library Gallery at the University of Victoria.

Gathering: 25th Anniversary Masters and Doctoral Art Education

Dr. Margaret Travis, Untitled, scene of countryside
Dr. Margaret Travis, Untitled, scene of countryside

June 4 – September 25, 2009

Maltwood Art Museum and Gallery

Curated by Dr William Zuk and Dr Robert Dalton

View the online catalogue:

Gathering – Catalogue

Graduate Students and Faculty Honouring Dr. Margaret Travis with Gathering. Art Education celebrates 25 years of outstanding Graduate programs with an exhibition hosted by the Maltwood Art Museum and Gallery. The exhibition, Gathering, honours Dr. Margaret Travis and will show showcase artworks produced by its graduate students and faculty.

What began as a small group in the Art Education program became over 100 success stories. The exhibition also recognizes professors Geoff Hodder, George Steggles, John Cawood, Dr. Margaret Travis, Dr. Bill Zuk, Dr. Don Bergland, Dr. Robert Dalton and Dr. Mike Emme for their guidance and expertise.

Rebels and Realists: 100 Years of the Victoria Sketch Club

Max Maynard, Whiffen Spit
Max Maynard, Whiffen Spit

March 9 – May 29, 2009

Maltwood Art Museum and Gallery

Curated by Caroline Riedel

View the online catalogue:

Rebels and Realists – Catalogue

This exhibition celebrates western Canada’s oldest arts organization and features over 50 of the club’s best-known artists including Emily Carr, Josephine Crease, Sophie Pemberton, W.P Weston, Thomas Fripp, Max Maynard, Jack Shadbolt, Ina Uhthoff, Katharine Maltwood, Stella Langdale and Edythe Hembroff.

This Earth

Lisa Murray
Lisa Murray

June 4 – July 27, 2008

Legacy Maltwood (at Mearns Centre – McPherson Library)

Lisa Murray’s This Earth explores texture, movement, and colour through acrylic paint and collage technique. In this exhibition are paintings predominantly from two juxtaposed series: Light Catchers responds organically to the quality of light throughout the day, while her diptychs and triptychs create space for exploration in movement and repetition. All of these paintings reflect the dynamism and transformative qualities of the light sources and media which inspire Murray to “capture some of the beauty of This Earth”.

Art Education Faculty Exhibition

Art Education Faculty Exhibit2008

January 15 – February 14, 2008

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Dr Robert Dalton and Dr William Zuk

As teachers and artists, the Faculty’s art educators reveal their diverse artistic interests and identities. These are explored in drawings, paintings, collages, prints, ceramics, sculpture, and light displays. This annual exhibit steps out of the classroom into the studios of art education to look at the creative energy which fuels their teaching. Community voice and intergenerational learning as part of building a strong art based education.

Michael’s World

July 2007 – Feb 4, 2008

Legacy Art Gallery Downtown

Curated by Professor Martin Segger

View the online catalogue:

Michael’s World – Catalogue

Michael’s World was the inaugural exhibition at the Legacy Art Gallery and Cafe. It showcases a number of works by studio artists, many of whom received support from Michael C. Williams in the early days of Old Town Victoria’s artistic revival. From the 1970s to the 1990s, more than 100 artists and craftspeople were situated in downtown studio space and constituted the core of this revival.

The gallery program will be based around Williams’ collection of over 1,000 paintings, drawings and sculptures by some of the most renowned artists of the Pacific Northwest. Williams passed away in November 2000, leaving his estate to UVIc. His generosity made the Legacy Art Gallery possible.