Tag Archives: multimedia

The Averted Eye Sees: The Life and Work of Glenn Howarth – Part II

 

October 15, 2016 to January 7, 2017

Curated by Jenelle Pasiechnik (UVic MA, 2015)
With supervision from Caroline Riedel (Legacy Art Galleries)

Legacy Art Gallery Downtown | 630 Yates Street

Exhibition Website

Glenn Howarth was a pillar in Victoria’s arts scene from the late 1970s until his death in 2009. He also had an enduring connection to the University of Victoria — as a Visual Arts student in the 1960s, a sessional instructor, an artist-in-residence with the Engineering Department, and recently with a bequest of his archival papers and digital art. Howarth was an innovative creator and inspired teacher searching for ways to communicate the artistic process and the perceptual functions of the eye and brain that contribute to visual perception. His work was often infused with surrealistic imagery which recalls the work of Francis Bacon. Howarth was also responsible for innovations in computer graphic art in the early 1980s working on the Telidon system as an artist in residence at UVic’s Engineering Department with Dr. Ernest Chang. He represented Canada with this work in the Sao Paulo Biennale and at Expo 86.

The Averted Eye Sees draws on UVic’s significant collection of Howarth paintings primarily from the Michael C. Williams estate, as well as Howarth’s writing, sketches, ephemera, and digital archive, part of the regional artists archive initiative of UVic Libraries Special Collections and Archives. It also includes a fascinating case study on the challenges of ‘retro-computing’ in recreating Howarth’s early experiments in digital artwork.

Due to the popularity of the exhibition on campus this summer, a second edition of this exhibition will be featured in the small gallery downtown, allowing for the viewing of a larger selection of Howarth’s powerful oeuvre.

The Averted Eye Sees: The Life and Work of Glenn Howarth

 

poster-final
July 30, 2016 to October 23, 2016

Curated by Jenelle Pasiechnik (UVic MA, 2015)
With supervision from Caroline Riedel (Legacy Art Galleries)

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Exhibition Website

Glenn Howarth was a pillar in Victoria’s arts scene from the late 1970s until his death in 2009. He was an innovative creator and inspired teacher searching for ways to communicate the artistic process and the perceptual functions of the eye and brain that contribute to visual perception. He was also responsible for innovations in computer graphic art in the early 1980s working on the Telidon system as an artist in residence in the Engineering Department at the University of Victoria campus with Dr. Ernest Chang. In 1983 he represented Canada in the Sao Paulo Biennale with some of this work and also presented it locally at  the Art Gallery of Greater Victoria and UVic’s Maltwood Art Museum and Gallery.

The Averted Eye Sees draws on UVic’s significant collection of Howarth paintings from the Michael C. Williams estate, as well as Howarth’s writing, sketches, ephemera, and digital archive, part of the regional artists archive initiative of UVic Libraries Special Collections and Archives. It also includes a fascinating case study on the challenges of ‘retro-computing’ in recreating Howarth’s early experiments in  digital artwork.

 

Curator’s Tour + Reception

The Averted Eye Sees: The Life and Work of Glenn Howarth

October 7, 3:30-5pm

Free & open to the Public

Room 027 – Legacy Maltwood (at the Mearns Centre – McPherson Library)

Join us for a curator’s tour and special showing of archival materials to celebrate local artist and educator Glenn Howarth and his lifelong obsession with visual perception. The exhibition includes paintings, drawings, prints and Howarth’s pioneering work in digital art (recently restored by the UVic Libraries), for which he received international recognition at the 1983 Sao Paulo Biennale and at Expo 86. Highlights of Howarth’s extensive personal archive including journals, letters, sketches and photographs will be seen at this one-time event. Reception to follow.

Guest curator Jenelle M. Pasechnik was the recipient of the 2015 Margaret Russell Graduate Internship in Curatorial Studies, which supports the preservation of art created by BC artists.

img_3453

Out of the Frame: Salish Printmaking

poster-workingJune 8 to October 1, 2016

In collaboration with Wachiay Studio (Andy McDougall) and curated by Dr. Andrea N. Walsh.

Legacy Art Gallery Downtown | 630 Yates Street

Featuring work by Charles Elliott, Doug LaFortune, Angela Marston, Andy Everson, Maynard Johnny Jr., lessLIE, Chris Paul, and Dylan Thomas.

Coast Salish artists challenge ideas about printmaking by bringing the process of printing into relation with cultural traditions, personal experiences and the material world.

View the exhibition website here

invitation banner 2

Celebration Event + Artist Roundtable

Out of the Frame: Salish Printmaking

Food + Refreshments Provided
Free + open to the public | *Please note seating is limited.

September 24, 1 – 4pm | Legacy Art Gallery Downtown | 630 Yates Street

An afternoon event featuring an artist roundtable discussion with the artists from Out of the Frame: Salish Printmaking on the role of printmaking in their practices and new directions for printing taken up in the exhibition. Discussion will be moderated by curator, Dr. Andrea Walsh. Featuring a guest talk reflecting on the production of prints by Salish artists given by independent scholar India Rael Young.

1-2pm – Welcome + talk by India Rael Young “The Visual Vernacular in a World of Prints”
2-2:15pm – Break – light refreshments
2:15-3:15pm – Artist roundtable
3:15–4pm – Celebration with the Tzinquaw Dancers

Out of the Frame artists are: Charles Elliott, Doug LaFortune, Angela Marston, Andy Everson, Maynard Johnny Jr., lessLIE, Chris Paul, and Dylan Thomas

India Rael Young is an Andrew W. Mellon Dissertation Fellow in Art History at the University of New Mexico. Young’s research addresses the history of contemporary Native and First Nations prints from the Northwest Coast. More broadly, Young’s interests lie in North American print media, and emerging modes of reproduction. Her curatorship and writing negotiate feminist, post-colonial, and critical race frameworks to expose the complex web of cultural underpinnings in the North American art world.

On Communities and Nations

Unctuous, Sean Nattras

Unctuous, Sean Nattras

April 5 – June 9, 2012

Legacy Art Gallery Downtown

Curated by Dr Carolyn Butler Palmer, Williams Legacy Chair in Modern and Contemporary Arts of the Pacific Northwest.

This exhibition examines historian Benedict Anderson’s concept of imagined communities in relationship to the emergence of First Nations printmaking practices in the late twentieth century. Ideas of community and nation have a complicated set of relationships. For some, communities are nations. For historian Benedict Anderson, nations are synthetic constructions that we come to imagine as communities through various systems of exchange that include: public meeting places and the reproduction of images and narratives. On Communities and Nations examines Anderson’s concept of imagined communities in relationship to emergence of First Nations printmaking practices in the late twentieth century.

Graphic Radicals: The Art of World War 3

Final_Poster_Graphic_Radicals

August 11, 2010 – October 31, 2010

Legacy Art Gallery Downtown

Curated by Dr. Allan Antliff

Graphic Radicals was a themed presentation of the work of World War 3 Illustrated, a New York artist collective, from the 1980s to the present day. The art confronted issues such as anti-war protests, squatting in New York, the tragedies of 9-11, racism, prisons and anarchism through a variety of mediums including posters, graphic illustrations, paintings, banners and other media.

Visit the Graphic Radicals exhibition blog 

P/OP!: Parallel Visions in Pop and Op

 

Ice Cream Lady, Eric Metcalfe, 1969

Ice Cream Lady, Eric Metcalfe, 1969

April 24 – September 22, 2008

Maltwood Art Museum and Gallery

Curated by Caroline Riedel with Marlaina Buch, Leanne Dmyterko, Kathleen Trainer, and Cindy Vance

Highlights a dynamic selection of Pop and Op art from the University of Victoria art collection. Rarely exhibited works, including those by American icons Roy Lichtenstein, Jasper Johns, and Andy Warhol are shown alongside recent acquisitions by contemporary West Coast Canadian artists Eric Metcalfe, Carl Beam, Harry Stanbridge, and Michael Morris.

The exhibit’s “parallel visions” theme focuses on three main ideas: First, both Pop and Op art reacted to and expanded upon Abstract Expressionism, the dominant art movement of the 1940s and 50s. Second, while Pop and Op may at first glance seem vastly different in their focus, development, and impact, subtle connections exist between many of the works featured in this exhibition. Third, Pop in particular was one of the major movements of the twentieth century and continues to exert a considerable influence on art, as seen in the works of the selected West Coast Canadian artists shown here.

Over 50 works, including painting, prints, collage, sculpture, film, and archival ephemera are showcased in their exhibition.

Art Education Faculty Exhibition

Art Education Faculty Exhibit2008

January 15 – February 14, 2008

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Dr Robert Dalton and Dr William Zuk

As teachers and artists, the Faculty’s art educators reveal their diverse artistic interests and identities. These are explored in drawings, paintings, collages, prints, ceramics, sculpture, and light displays. This annual exhibit steps out of the classroom into the studios of art education to look at the creative energy which fuels their teaching. Community voice and intergenerational learning as part of building a strong art based education.

Roots, Remakes, Reflections: Global and Canadian Kaleidoscope

August 10 – September 12, 2006

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Astri Wright, Professor in the Department of Art History, UVIc

This was an exhibit featuring works produced by nine Victoria visual artists. All nine artists are based out of Victoria, but have connections with Asia and beyond.

The artists included Yoko Takashima, Harumi Ota, Yumie Kono, Kris Tangri, and Tad Suzuki.

Similar Exhibitions:

Aluminations

IMG_6841

June 26 – August 3, 2006

Legacy Maltwood (at Mearns Centre – McPherson Library)

A group of 30 Victoria College of Art alumni came together to exhibit and promote the work of the college on an annual basis. The alumni ranges from recent grads to  who are developing their own artistic voice, to nationally and internationally exhibited professionals, instructors and curators. The Victoria College of Art was founded in 1947 as a non-profit independent post-secondary college of fine art, which offers a three-year, studio-based, diploma program emphasizing drawing, painting and two and three dimensional design.

Active Practice: Camosun College Visual Arts Faculty 30th Anniversary

January 16 – February 21, 2006

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Robbyn Gordon Lanning

A collaboration exhibition by the Visual Arts Faculty from Camosun College to celebrate the school’s 30th anniversary.

Artists shown: Ralph Stanbridge, Judie Price, Brenda Petays, Nancy Yakimoski, Joseph Hoh, John G. Boehme, Tom Severson, Bob Preston, and Michael Yerkovich.

This is Beautiful

September 1 – October 1, 2005

Legacy Maltwood (at Mearns Centre – McPherson Library)

This was a multimedia installation of photographs by Amanda Koster, and documentary footage by filmmaker Sarah Tittlebaum. This exhibition was in conjunction with the Community Eating Disorder and Related Issues Counselling (CEDRIC) Centre.

This exhibition showcased the innate beauty of all women, regardless of age, race, ability or size. Amanda Koster is a documentary photographer based out of Seattle that photographed women from Vancouver Island for the project.

1st Annual British Columbia Creative Achievement Awards

July 29 – August 26, 2005

Legacy Maltwood (at Mearns Centre – McPherson Library)

An exhibition of works created by the five recipients of the British Columbia Creative Achievement Awards: Erin Dolman, Vance Everitt, Jay Grandin, Hajnalka Mandula and Mark Roth.

The BC Achievement Foundation was established and endowed by the provincial government in 2003 with the mandate of celebrating excellence in British Columbia.