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Image: Lynette La Fontaine, 2021
 wool, seed beads, dyed caribou hair, dyed whitefish scales, “Kokuminawak Sakihitowin Kayas Ochi (Grandmas’ Love From Long Ago),” (naming credit: Dianne Ludwig).

On Beaded Ground explores the essential role of Indigenous women’s creative practices in the reclamation and renewal of culture, identity, stories and teachings. The beaded artworks in the exhibition carry stories. The materials, methods of making, designs and functions of beaded objects are languages particularly devised to transmit memories, legacies, and narratives between people across time and space.

This selection of works reflects the current proliferation of artists beading on the west coast and explores practices past and present. Featured artists include Margaret August (Coast Salish), Daphne Boyer (Metis), Cedar Circle Indigenous Leadership Group, Maxine Matilpi (Kwakwaka’wakw), Bev Koski (Anishinaabe), Lynette Lafontaine (Nehiyow/ Michif), Nicole Mandryk (Anishinaabe/Ukranian/Irish, UVic BA ’19), Audie Murray (Michif), Teresa Vander Meer-Chasse (Upper Tanana), and Estrella Whetung (Anishinaabe, UVic PhD (ABD), MA ’10, BA ’08).

Curated by Lorilee Wastasecoot, Curator of Indigenous Art & Engagement, UVic Legacy Galleries.